All Luca Giordano 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
91043 A miracle by Saint Benedict  A miracle by Saint Benedict   1680(1680) Medium oil on canvas Accession number 987-3-6 cyf
70617 Bekronung der Fortitudo mit Ehrenkranz  Bekronung der Fortitudo mit Ehrenkranz   Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Bekrönung der Fortitudo mit Ehrenkranz
70942 Crucifixion of St Peter  Crucifixion of St Peter   Medium Oil on canvas Dimensions 196 x 258 cm
98181 Dusk on the river  Dusk on the river   1889(1889) Medium oil on panel Dimensions 10.8 x 14 cm cyf
79499 Ein Cynischer Philosoph  Ein Cynischer Philosoph   Oil on canvas 1,03 m x 1,31 m cjr
28655 Equestrian Portrait of Charles II  Equestrian Portrait of Charles II   mk61 1694 Oil on canvas 81x61cm
28656 Equestrian Portrait of Mariana of Neuburg  Equestrian Portrait of Mariana of Neuburg   mk61 1694 Oil on canvas 81x61cm
72605 Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz,  Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz,   Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Bekrönung der Fortitudo mit Ehrenkranz cjr
28947 he Triumph of Galatea,with Acis Transformed into a Spring  he Triumph of Galatea,with Acis Transformed into a Spring   mk65 Oil on canvas 103 1/8x120 1/16 Pitti,Palatine Gallery
42021 Holy Ana and the nina Maria Second mitade of the 17th century  Holy Ana and the nina Maria Second mitade of the 17th century   mk166 Painting al I wave The Church dell-Ascensione to Chiaia Napoles
42022 Holy Ana and the nina Maria Second mitade of the 17th century  Holy Ana and the nina Maria Second mitade of the 17th century   mk166 Painting al I wave The Church dell-Ascensione to Chiaia Napoles
67445 Luca Giordano  Luca Giordano   Title Deutsch: Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail Year 1684-1686
96097 Marriage of the Virgin  Marriage of the Virgin   circa 1688(1688) Medium oil on canvas cyf
75061 Portrait of Maria Anna of Neuburg  Portrait of Maria Anna of Neuburg   1693-1694 Oil on canvas 81 X 61 cm (31.89 X 24.02 in) cjr
30008 Repe of Deianira  Repe of Deianira   mk67 Oil on canvas 20 1/16x26in Uffizi,
28654 Rubens Painting an Allegory of Peace  Rubens Painting an Allegory of Peace   mk61 c.1660 Oil on canvas 337x414cm
56935 rubens painting the allegory of peace  rubens painting the allegory of peace   mk247 c.1660,oil on canvas,132x163 in,337x414 cm,museo del prado,madrid,spain
98176 San Lucas pintando a la Virgen  San Lucas pintando a la Virgen   oil on canvas Dimensions 285.2 x 186.1 cm cyf
78760 Self-portrait  Self-portrait   ca. 1692(1692) Oil on canvas 63 x 49 cm (24.8 x 19.3 in) cjr
39625 The Archangel Michael driving the rebellious angels into Hell  The Archangel Michael driving the rebellious angels into Hell   mk150 c.1665 Canvas 419x283cm
70525 The Defeat of Sisera  The Defeat of Sisera   Medium Oil on canvas Dimensions Expression error: Missing operand for *102 ?? 130 cm
33588 The Fall of the Rebel Angels  The Fall of the Rebel Angels   mk86 1666 Oil on canvas 419x283cm Vienna,Kunsthistorisches Museum
90125 The Last Supper  The Last Supper   Oil on Canvas 36 1/2 x 21" cyf
85941 The Last Supper by Luca Giordano  The Last Supper by Luca Giordano   Oil on Canvas 36 1/2 x 21" cjr
81714 The Rape of Lucretia  The Rape of Lucretia   Luca Giordano, The Rape of Lucretia (Oil on canvas, 1663). cjr
98177 Twilight on Zazar bank  Twilight on Zazar bank   Unknown date Medium oil on cardboard cyf
73664 Venus, Cupid and Mars  Venus, Cupid and Mars   Oil on panel cjr
29071 Vulcan's Forge  Vulcan's Forge   mk65 Oil on canvas,transferred from panel 76x59 1/2"

Luca Giordano
Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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